Art has the capacity to sway societies in different directions. Over time, it has often been a strong body of art that has ignited a shift in public opinion. Egyptian cinema has played a significant role in shaping and reflecting societal attitudes towards women.
Sometimes we wish we could take this magic potion that enables us to see ourselves through others’ eyes, as we see ourselves, women, today through the eyes of Egyptian cinema. Here are some of the “women’s films” that portrayed feminism in Egyptian society better than ever.
THE OPEN DOOR (1963)
“So go, my love, open the door wide, and leave it open..” The film delves into Laila’s -the main character- struggles under the strict control of her father and the societal stereotypes about women. The social pressure that she’s put through and the threat of losing her self-respect ultimately lead to her journey towards freedom and self-discovery.
NO CONSOLATION FOR WOMEN (1979)
In Arab society divorced women face unjust social stigmatization, enduring isolation, limited prospects for second marriages, and a lack of social acceptance. The mere thought of remarriage for a divorced woman is often met with unwarranted guilt and censure from society. This poignant reality is powerfully depicted in the film through Rawya, who found herself in a desperate marriage that ultimately led to separation. While her ex-husband swiftly moves on to a new chapter in his life, Rawya is unjustly burdened with unrelenting judgments of family and society. Her struggle to lead a peaceful and fulfilling life underscores the pervasive societal attitudes that unfairly target and marginalize divorced women.
THE LEECH (1956)
Age-gap relationships are usually considered normal if it’s the man who’s older, otherwise, a line of judgments is ready to burst. The Leech features a middle-aged woman, Shafaat, who seduces a young college student, Imam, into a relationship. And even though the guy eventually gives in, he’s still ashamed of dating an older woman. Society is portrayed through different characters who all despise her.
MY WIFE IS A GENERAL MANAGER (1966)
The movie challenges traditional gender norms in Arab society as it portrays a married couple working at the same company where the wife holds the position of general manager. This unique setup raises questions about whether men would accept their wives as their managers in reality, reflecting societal views through the reactions of the other employees. Despite facing initial refusal and lack of respect, the female boss demonstrates remarkable resilience and competence in her role, compelling others to acknowledge and respect her authority, even in the face of opposition from her husband and colleagues.
FOR MEN ONLY (1964)
Who said women aren’t capable of tasks that are usually assigned to men? The movie highlights the injustice that befalls working women who are prevented from performing work for which they are qualified simply because they are women. The protagonists Salwa and Elham prove society wrong as they play men in disguise in order to work at oil exploration areas. They eventually reveal their real gender after proving themselves efficient and capable of “men’s jobs.”
ٍSCHEHERAZADE, TELL ME A STORY (2009)
Amidst a society that often turns a deaf ear to suffering women, Heba Younes, a renowned TV presenter, stands as a beacon of hope. Through her influential platform, she fearlessly sheds light on the myriad tragedies that plague Egyptian women. The film compellingly weaves together three touching narratives, each unveiling the harrowing ordeals of women who fall victim to various forms of exploitation – be it sexual, financial, or emotional. As the stories unfold, it becomes evident that even Heba, the staunch advocate for women’s rights, is not immune to the pressures and exploitation imposed by her own husband, occasionally enduring instances of violence.
MISS FATMAH (1952)
Is the legal profession an exclusive domain of men? In the film, we see “Fatmah,” whose fiancé is very skeptical of her capabilities, especially when she decides to establish her own law firm. Eventually, Fatmah becomes his lifeline, after getting involved in a murder case. Not only does Fatmah take charge of his defense and prove his innocence, but she also proves her undeniable prowess in the legal arena.
AL SHAHREEDAH (1980)
The film offers a thought-provoking portrayal of feminism, delving into a unique perspective that highlights the potential repercussions of fanaticism for a particular standard or ideology. Through Laila, the narrative unfolds to reveal a compelling exploration of independence and its complexities. Laila, initially confident in her independence, finds herself in unexpected solitude following the loss of her husband. After an endless sequence of arrogant and disrespectful attitudes, she realizes the depth of her love for him, but only when it is too late.
