Every day, we encounter countless individuals, yet only a handful who we get to really know beyond the surface. In a revealing conversation with Injy El Mokkadem, we explored the intricate layers of her role as a school principal in “Sarab.” Beyond the surface of her character, we uncover a rich tapestry of emotions, stories, and sorrows that shape her journey. Join us as we delve into the complexities that define not only Mona’s life but also the universal struggles that resonate within us all.
Q: Can you tell us about your role in “Sarab”?
A: I play Mona, the principal of a school who faces the kidnapping of a child. The series features a collection of characters with intertwined stories, and each of the 10 episodes delves deeply into one character’s journey.
Q: “Sarab” is adapted from the Australian show “Seven Types of Ambiguity.” What’s your opinion on adapted shows, and how does this one stand out?
A: My experiences with adapted shows have been very positive; this is my fourth. I previously worked on “Layali Eugene,” “Qawa’ed Al Talaq Al 45,” adapted from “Girlfriends’ Guide to Divorce,” and “Setat Beit El Maadi,” based on “Why Women Kill.” Each of these adaptations was Egyptianized, making the characters relatable to our local audience. In “Sarab,” the characters feel familiar and resonate well with our societal norms.
Q: What new elements did you discover while preparing for your role?
A: Mona is very different from me. She’s reserved, dignified, and conservative. Although she’s fallen out of love with her husband, she clings to the traditional values of marriage. Her husband is loving but chaotic and dependent on her, which frustrates her as she feels life is passing her by. What intrigues me most about Mona is her decisiveness; she takes a stand in a difficult moment and fully owns her choices.
Q: Is there a personality trait of Mona’s that you admire? Which character do you relate to the most?
A: I admire her firmness. I wish I could be as resolute in my decisions. As for relating to other characters, I find myself understanding Hany Adel’s character quite well. He’s a talented artist living in his own bubble, similar to how I often feel, though perhaps not to that extreme.
Q: Tell us about your experiences with the cast and behind-the-scenes.
A: I worked closely with Ahmed Wafi, who plays my husband, and had a few pivotal scenes with Khaled El Nabawi. The final trial scene brought the entire cast together, and while it was exhausting, the behind-the-scenes moments were filled with laughter and camaraderie. I really enjoyed working with director Ahmed Wafi and the entire cast, including Yorsa El Lozy and Diamond.
Q: What kinds of characters would you like to portray in the future?
A: Currently, I’m filming a 45-episode series where I play a lawyer. I’m drawn to layered, complex characters that challenge me as an actress. I’d love to portray historical figures, especially Shagaret El Dor. Her story is compelling and hasn’t been fully explored yet, so I’d like to bring her narrative to life.
Q: How was your collaboration with the TOD team on this project?
A: My interaction with the TOD team primarily happened during the trailer filming, which was creatively intense. We dedicated two days to shoot it, and it was a wonderful experience working closely together to create something unique.